A la fin-tout seul for mandolin & optional piano
(1985)

“An impressionistic new work” –Boston Globe

American Composers Alliance 

Corollaries for horn in F
(2007)

American Composers Alliance     

Electric Bebop
(1987)

Neil Gladd Publications

Parodia sopra “lasciate mi morire”
for harp
(1983)

American Composers Alliance     

Sonaria for Cello
(1981)

“A lyrical work for unaccompanied cello”–The Belmont Herald
“Skillfully exploits the qualities and possibilities of the instrument” –The Jewish Advocate

American Composers Alliance       

Still Kicking
(2022)

American Composers Alliance        

Suite francaise
for unaccompanied violin
(1983)

American Composers Alliance      

To Music
for solo flute
(2003)

“…sensitivity in Vercoe’s four short movements for solo flute.”–Infodad.com

Noteworthy Sheet Music    

A la fin-tout seul for mandolin & optional piano
(1985)

“An impressionistic new work” –Boston Globe

American Composers Alliance 

Balance: Duo for Violin and Cello
(1974)

American Composers Alliance 

Butterfly Effects for flute and harp
(2008-2009)

“A delicate fantasia…her gorgeous music is explored with striking inventiveness” –ConcertoNet

Noteworthy Sheet Music  

Butterfly Effects for oboe and harp
(2010)

“A suite of contrastingly nuanced sound and space, Butterflies fittingly ends a recording that is breathtaking, fresh, and an emotional point of arrival.” –IAWM Journal

Certosa Verlag

Elegy for viola and piano
(1989)

“A moody, somber, interesting work with moments of real beauty”–Journal of the American Viola Society)
“Poised, soulful”–Boston Globe

American Composers Alliance     

Fantavia for Flute and Percussion
(1982)

“Timbral adventures and some lovely moments”–New York Times
“A delicate, birdcall-inspired fantasia”–St. Louis Post-Dispatch
“The twists, turns and trills of the flute were gorgeous”–The Columbus Dispatch

Noteworthy Sheet Music     

Five inventions for horn and piano
(2005)

American Composers Alliance    

Four humors for clarinet & piano
(1992)

American Composers Alliance    

Kleemation for flute & piano
(2003)

“Highly abstract yet accessible”–WRUV Reviews

Noteworthy Sheet Music   

Pasticcio
(1965)

American Composers Alliance   

Three Carols
for flute and piano or harp

(2016)

Certosa Verlag 

 

Despite our differences #1
for violin, cello & piano
(1984)

“The piece displayed an attractive warmth of feeling with some stormy passages for the piano making a particularly compelling grab for the attention.” –Boston Herald
“Real interest lies in the dialogues and differences” –Boston Globe

American Composers Alliance    

Fanfare for 3 trumpets & timpani
(1981)

American Composers Alliance    

In The Storm
(1989)

American Composers Alliance    

Irreveries from Sappho for clarinet quartet
(2016)

“Fresh and fun” –William Bolcom

American Composers Alliance    

Changes for chamber orchestra
(1991)

“a very attractive piece; the doublings in the orchestration glisten.” –Boston Globe
“An ethereal and airy elegy” –San Francisco Bay Times
“Attractive and craftsmanly” –Boston Herald
“Subtly orchestrated and a pleasure to listen to” –Vivian Fine

American Composers Alliance   

A Dangerous Man for baritone & piano
(1990)

“I don’t know of another composer who has created a special genre like this and made it her own” –Composers USA

American Composers Alliance

Herstory I: for soprano, piano & vibraphone
(1975)

American Composers Alliance    

Herstory II: Thirteen Japanese Lyrics for sop/piano/perc.
(1979)

“Spare, reticent and suggestive” –Boston Globe

American Composers Alliance   

Herstory III: Jehanne de Lorraine for mezzo & piano
(1986)

“This extraordinary work would be a wonderful second half for any vocal recital.” (The NATS Journal)

American Composers Alliance      

Herstory IV for mezzo & mandolin or marimba
(1997)

Neil Gladd Publications
P.O, Box 5861
Hyattsville, MD

In The Storm
(1989)

American Composers Alliance    

Irreveries from Sappho for voice and piano
(1981)

“Fresh and fun” –William Bolcom

American Composers Alliance    

Nine Epigrams from Poor Richard
For voice & tape
(1986)

American Composers Alliance      

Varieties of Amorous Experience
for soprano or mezzo & piano
(1998)

“Her unique combination of high intellect and musical spontaneity sets her apart in her vocal offerings. This time she gives both singer and pianist a finely woven texture of color and melodic intricacies.” –The NATS Journal

American Composers Alliance 

God Be In My Head for chorus and keyboard
(1995)

“And the closing, starting with a knell of finger cymbals, is perfect…” –IAWM Journal

American Composers Alliance     

Irreveries from Sappho for SSA & piano
(1985)

“Hugely funny, elegant”–The Post-Standard, Ithaca

American Composers Alliance  

American Fancy
For 4 hands of 2 pianos
(1985)

American Composers Alliance  

Chorale
(1985)

Certosa Verlag  

Fantasy for Piano
(1975)

“An imaginative, intense fantasy.” –Clavier

American Composers Alliance    

Persona for Piano
(1980)

“A haunting atmosphere” (Boston Phoenix)
“Interesting and well-shaped” (Concord Journal)

American Composers Alliance 

Pour Christine
for piano
(1984)

Certosa Verlag       

Supplication for Piano
League ISCM, Boston, Piano Book
(1995)

Supplication is an arrangement of the final prayer in Herstory III, a monodrama on the life of Joan of Arc.The League ISCM Piano Book consists of 33 Easy-to-Intermediate Pieces by Contemporary Boston-Area Composers. The book is available from the League-ISCM. Supplication is also available separately from the German publisher, Certosa Verlag.

Certosa Verlag    

Three studies
for piano
(1998)

“It is a pleasure to meet these three arresting pieces.”–The Piano Quarterly
“Mirrors is a study in melodic inversions; Daydream has a languid, imaginative use of fifths… All three short pieces are contemporary in sound..” –Clavier

American Composers Alliance

Zwei Klavierstücke
two pieces for piano

1. Pour Christine (1984)
2. Supplication (1994)

Certosa Verlag